Real Ultra fp16 Flux

Recommended Settings:

• CFG Scale: 3 (instead of 2.5 used in earlier versions)
• Steps: 50 (helps with stability, though some minor instability remains in hands and fingers)
• CFG 0.9 vs. 1.0: Lower CFG on 0.1 or even 0.2 may sometimes improve some details (may not improve, so feel free to expriment with this too), though it might take longer to generate.

Regarding nudes: they are still not working as intended, but I’m actively working on this issue and expect to address it in the next version.

The good news is that I already have the datasets prepared for V3.5, which I aim to release much faster than the gap between V2 and V3. With more experience and feedback from this version, I’m confident the next update will deliver significant improvements.

As always, I truly appreciate your support and feedback - it’s invaluable as I continue refining this project ❤️

P.S.: I feel like the more I fine-tune Flux, the more it degrades in other areas. Also i thought about trying finetune Flex Alpha (project looks very promising)

I highly recommend pairing this with my LoRAs, like the realism amplifier, 2000s analog core, and others, since this checkpoint works best as a base for stylized LoRAs. Might do one more version (because, let’s be real, I kinda scuffed v3 and v4 a bit), but first, I’m diving into fine-tuning Flex.Alpha.
This time available versions: bf16, fp8, q8_0 - pruned fp16 name and q4_k_m - pruned fp8 name
P.S: Don't use my UltraRealPhoto LoRA with this checkpoint - it has a huge impact on style, so image become overbaked. If you're using the UltraReal Fine-Tune, go with Realism Amplifier instead for the best results. UltraRealPhoto LoRa was created to fix crappy shadows, light and faces, but all that stuff already baked inside checkpoint, you can just add amplifier for better realism

d1g1cam, amateur photo, low-lit, Low-resolution photo, shot on a mobile phone, nighttime, noticeable noise in dark areas. young woman, late 20s casually dressed in an oversized pink T-shirt, outdoors, her gaze directed to the side, sad expression, hold cup of coffee, her blonde hair loosely tied back. Her face partially shadowed, minimal makeup visible. she is standing on the street near soviet-era storey buildings, trees, parked cars near. Dull, overcast lighting